Download PDF The Anatomy of Type: A Graphic Guide to 100 Typefaces, by Stephen Coles
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The Anatomy of Type: A Graphic Guide to 100 Typefaces, by Stephen Coles
Download PDF The Anatomy of Type: A Graphic Guide to 100 Typefaces, by Stephen Coles
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Review
Coles does a wonderful job of initiating the layman to the field of modern typography. -- Michael Stasiak, Print MagazineThe Anatomy of Type provides a glorious opportunity to taxonimize another everyday visual encounter. As your knowledge accumulates, and your vocabulary grows, you, too, will begin to appraise these fonts with a critical eye. You will gaze at them alongside Coles, nodding at his insights. -- SlateThe Anatomy of Type is a surprisingly accessible book that will appeal to anyone with even a passing interest in typography. An easy-to-use guide that rewards both light browsing and intensive study. -- John Peck, Diesel's "Beautiful Gift Books 2012"... a down-to-earth but playful and helpful tool for users in search of a distinctive typographic tone - a cautiously plotted but worthwhile attempt to shake type classifications to the core. -- Sébastien Morlighem, Eye MagazineThe Anatomy of Type does for type users what Gray's Anatomy does for pre-med students: it explains characteristic differences in body language -- in this case the Western alphabet's most muscular typefaces. -- Steven Heller, The New York Times
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From the Author
Students and professionals in any creative field can benefit from a good typographic eye. The Anatomy of Type (The Geometry of Type in the UK) is all about looking more closely at letters. Through visual diagrams and practical descriptions, you'll learn how to distinguish between related typefaces and see how the attributes of letterforms (such as contrast, detail, and proportion) affect the mood, readability, and use of each typeface. Nutritional value aside, the spreads full of big type are nice eye candy, too.The 100 typefaces featured in the book are hand-picked by the author for their functionality and stylistic relevance in today's design landscape. Along with several familiar faces (Garamond, Bodoni, Gill Sans, Helvetica), you'll also discover contemporary fonts that are less common -- and often more useful -- than the overused classics.
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Product details
Hardcover: 256 pages
Publisher: Harper Design (November 13, 2012)
Language: English
ISBN-10: 9780062203120
ISBN-13: 978-0062203120
ASIN: 0062203126
Product Dimensions:
7.8 x 1 x 9.9 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.1 out of 5 stars
34 customer reviews
Amazon Best Sellers Rank:
#127,842 in Books (See Top 100 in Books)
This is a beautiful, logical, analytical, practical and informative book. For any student of typography, this is worth buying and keeping. Nice little bits of the history of the fonts. It includes an in-depth look at typefaces with an esthetic AND functional approach. Included are large samples that show all the subtle details of the face; serifs, bracketing, terminals, strokes etc. with comparisons to other faces that have similar characteristics. Much of typography is about how a face looks when it's applied, whether it's printed or displayed electronically, what looks better in different sizes, on different papers etc. The author talks about that as well as the emotional effect the type has. Highly recommended!
A very interesting reading. A must-have for typomaniacs. As resource book I cannot give more than 3 stars, though:I would have appreciated a more exhaustive list of terms related to type anatomy. I think I understand the rationale of the author to stick to the terms that are widespread but still, I would have welcome to see the book live up to its cover promise where it reads: examining Shoulders, Spines and Tails in Detail. In example: there is no mention of what a shoulder is in the Anatomy of Type double page spread and, if I am not mistaken, in the whole book! Similarly a book on the anatomy of typeface, meant to be used as a reference guide, cannot, in my opinion, ignore fundamentally important concepts such as the contrast, a term which again is absent in the book.In the part of the book devoted to in detail examination of typefaces, a quick fine-tuning of the - otherwise beautiful - double page layout will vastly improve the usability of the book: the body-text in the right page should be visually self-explanatory and be set in the actual typeface under scrutiny.The choice of typefaces is, of course, a matter of personal taste and it is quite impossible to have two designers agree on any type list: I personally have enjoyed it a lot even if I could have lived with a couple of modern slab serifs less! :-)
A+
Perfect for those interested in typography, great text and visuals!
I would have given this book five stars, except in the kindle version, which is the format I purchased, several of the images have text that CANNOT be read on an ipad (with a retina screen) -- the text in those images is too small and is too pixelated to be able to read. For example, in the beginning of the book, they label the different parts of letters, and those labels are too small to read in some cases. Zooming in doesn't help at all.Other than that, I LOVE this book and will be referring to it for a long time to come as I continue to learn about fonts. Definitely recommended in non-digital formats though. ;)
Looking for a typeface for a project and wondering what the options might be? Want an in-depth analysis of 100 of the most popular and useful type faces? Consider this book as a great option.The introductory " Anatomy of type" and discussion of type classification is most informative if, like me, you have an interest in type but not necessarily any serious training in typefaces. I came away understanding a lot more about type than when i started.I found may old favorites here but also many typefaces i did not know. Best of all, each one comes with a detailed description of the strengths and weaknesses of each one and when you might want to use it.For those typefaces I already (thought) I knew, the summary information was extremely well done, condensing probably most or all of the historical context and background information as well pointers for using the face into a few paras.The way the book is organised makes it easy to pin down the choices for your particular need and review the best options.My only beef is that while each typeface is illustrated with one ech of the caps, lowercase, numbers and some glyphs, i would have liked to see a block of text to illustrate how the typeface looks as body text. I couldn't imaging make a choice for body text without looking carefully at how it flows across the page over a few paragraphs. The book doesnt provide this which i think is a shame. If you are really going to move to a new typeface, and probably spend some money buying it, I think you need a decent demo first, more than an up-close view of the key letter forms at medium and very large sizes. .Not to say the face is not analyses in great detail up close - it is. Theres just no way you can get a good idea of the typeface at body text size in a typical paragraph setting.Still, I recommend this if you have serious choices to make about typeface selection, would like some great inspiration or just have a healthy interest in type. I expect you will get years of value.
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Kamis, 28 April 2016
