PDF Ebook Matrix Methods of Structural AnalysisBy P. N. Godbole, R. S. Sonparote, S. U. Dhote

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Matrix Methods of Structural AnalysisBy P. N. Godbole, R. S. Sonparote, S. U. Dhote

PDF Ebook Matrix Methods of Structural AnalysisBy P. N. Godbole, R. S. Sonparote, S. U. Dhote

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This book describes in detail the matrix methods of structural analysis used for the analysis of skeletal or framed structures. The book provides comprehensive coverage of the subject, starting with the basics. It is organised in four parts. Part 1 contains the basic knowledge required to understand the subject: matrix operations, methods for solving equations, and concepts of flexibility matrix and stiffness matrix methods. Part 2 deals with the applications of stiffness and flexibility matrix methods using a system approach. By using simple examples, the steps involved in both the methods are discussed' this section concludes with discussion of why the stiffness matrix method is more suitable for analysis of skeletal structures. Part 3 covers the stiffness matrix (displacement) method with member approach (direct stiffness method) which is extensively used in the analysis of framed structures. It provides the details of the method, the steps involved in the method, and its application to plane truss, space truss, beams, plane and space frames, and grids. Part 4 includes a unified computer programme written in FORTRAN/C for the analysis of a framed structure. The development of computer programme, explanation of various subroutines, and input output formats with examples are also provided. An accompanying CD contains source code, explanation of INPUT/OUTPUT and test examples. The primary objective of the book is to present the subject matter in a simple manner so that it can serve as a basic learning tool for undergraduate and postgraduate students of civil engineering.

• Sales Rank: #4365491 in Books
• Published on: 2014-08-30
• Dimensions: .0" h x .0" w x .0" l, 1.14 pounds
• Binding: Paperback
• 320 pages

About the Author
P.N. Godbole obtained Bachelors (Honours) degree in Civil Engineering from IIT Bombay, Masters (Structures) from the erstwhile University of Roorkee, India (Now IIT Roorkee) and Doctorate from University of Wales, Swansea, UK. He worked in various capacities at Civil Engineering Department of University of Roorkee from 1963 onwards, where he had a long and distinguished career in teaching, research and consultancy. After retirement, he joined VNIT, Nagpur, where he utilized award of AICTE and UGC Emeritus Fellowship and later on continued as Professor Emeritus. At present he is Professor Emeritus at RCOEM Nagpur, India. He has published more than 140 research papers in national and international journals/conferences and has supervised 25 doctoral candidates. He has also authored books on Cable Suspended Roofs and Finite Element Method.His main areas of interest are finite element method, computer aided design, wind effects on structure and steel structures. R.S. Sonparote , PhD, is Associate Professor, Department of Applied Mechanics, Visvesvaraya National Institute of Technology (VNIT), Nagpur, India. With 20 years of experience in teaching, research and consultancy, Dr. Sonparote has published/presented several papers in national and international journals/conferences.His main areas of interest are computer aided analysis and design, structural dynamics and soil structure interaction. S.U. Dhote is Assistant Professor, Department of Civil Engineering, Yeshwantrao Chavan College of Engineering (YCCE), Nagpur, India. His areas of interest are wind effects, matrix analysis, steel structures, earthquake resistance designs and finite element method. He has published/presented several research papers in national/international journals.

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Matrix Methods of Structural AnalysisBy P. N. Godbole, R. S. Sonparote, S. U. Dhote PDF

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Download PDF The Anatomy of Type: A Graphic Guide to 100 Typefaces, by Stephen Coles

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The Anatomy of Type: A Graphic Guide to 100 Typefaces, by Stephen Coles

Download PDF The Anatomy of Type: A Graphic Guide to 100 Typefaces, by Stephen Coles

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Review

Coles does a wonderful job of initiating the layman to the field of modern typography. -- Michael Stasiak, Print MagazineThe Anatomy of Type provides a glorious opportunity to taxonimize another everyday visual encounter. As your knowledge accumulates, and your vocabulary grows, you, too, will begin to appraise these fonts with a critical eye. You will gaze at them alongside Coles, nodding at his insights. -- SlateThe Anatomy of Type is a surprisingly accessible book that will appeal to anyone with even a passing interest in typography. An easy-to-use guide that rewards both light browsing and intensive study. -- John Peck, Diesel's "Beautiful Gift Books 2012"... a down-to-earth but playful and helpful tool for users in search of a distinctive typographic tone - a cautiously plotted but worthwhile attempt to shake type classifications to the core. -- Sébastien Morlighem, Eye MagazineThe Anatomy of Type does for type users what Gray's Anatomy does for pre-med students: it explains characteristic differences in body language -- in this case the Western alphabet's most muscular typefaces. -- Steven Heller, The New York Times

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From the Author

Students and professionals in any creative field can benefit from a good typographic eye. The Anatomy of Type (The Geometry of Type in the UK) is all about looking more closely at letters. Through visual diagrams and practical descriptions, you'll learn how to distinguish between related typefaces and see how the attributes of letterforms (such as contrast, detail, and proportion) affect the mood, readability, and use of each typeface. Nutritional value aside, the spreads full of big type are nice eye candy, too.The 100 typefaces featured in the book are hand-picked by the author for their functionality and stylistic relevance in today's design landscape. Along with several familiar faces (Garamond, Bodoni, Gill Sans, Helvetica), you'll also discover contemporary fonts that are less common -- and often more useful -- than the overused classics.

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Product details

Hardcover: 256 pages

Publisher: Harper Design (November 13, 2012)

Language: English

ISBN-10: 9780062203120

ISBN-13: 978-0062203120

ASIN: 0062203126

Product Dimensions:

7.8 x 1 x 9.9 inches

Shipping Weight: 2 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#127,842 in Books (See Top 100 in Books)

This is a beautiful, logical, analytical, practical and informative book. For any student of typography, this is worth buying and keeping. Nice little bits of the history of the fonts. It includes an in-depth look at typefaces with an esthetic AND functional approach. Included are large samples that show all the subtle details of the face; serifs, bracketing, terminals, strokes etc. with comparisons to other faces that have similar characteristics. Much of typography is about how a face looks when it's applied, whether it's printed or displayed electronically, what looks better in different sizes, on different papers etc. The author talks about that as well as the emotional effect the type has. Highly recommended!

A very interesting reading. A must-have for typomaniacs. As resource book I cannot give more than 3 stars, though:I would have appreciated a more exhaustive list of terms related to type anatomy. I think I understand the rationale of the author to stick to the terms that are widespread but still, I would have welcome to see the book live up to its cover promise where it reads: examining Shoulders, Spines and Tails in Detail. In example: there is no mention of what a shoulder is in the Anatomy of Type double page spread and, if I am not mistaken, in the whole book! Similarly a book on the anatomy of typeface, meant to be used as a reference guide, cannot, in my opinion, ignore fundamentally important concepts such as the contrast, a term which again is absent in the book.In the part of the book devoted to in detail examination of typefaces, a quick fine-tuning of the - otherwise beautiful - double page layout will vastly improve the usability of the book: the body-text in the right page should be visually self-explanatory and be set in the actual typeface under scrutiny.The choice of typefaces is, of course, a matter of personal taste and it is quite impossible to have two designers agree on any type list: I personally have enjoyed it a lot even if I could have lived with a couple of modern slab serifs less! :-)

A+

Perfect for those interested in typography, great text and visuals!

I would have given this book five stars, except in the kindle version, which is the format I purchased, several of the images have text that CANNOT be read on an ipad (with a retina screen) -- the text in those images is too small and is too pixelated to be able to read. For example, in the beginning of the book, they label the different parts of letters, and those labels are too small to read in some cases. Zooming in doesn't help at all.Other than that, I LOVE this book and will be referring to it for a long time to come as I continue to learn about fonts. Definitely recommended in non-digital formats though. ;)

Looking for a typeface for a project and wondering what the options might be? Want an in-depth analysis of 100 of the most popular and useful type faces? Consider this book as a great option.The introductory " Anatomy of type" and discussion of type classification is most informative if, like me, you have an interest in type but not necessarily any serious training in typefaces. I came away understanding a lot more about type than when i started.I found may old favorites here but also many typefaces i did not know. Best of all, each one comes with a detailed description of the strengths and weaknesses of each one and when you might want to use it.For those typefaces I already (thought) I knew, the summary information was extremely well done, condensing probably most or all of the historical context and background information as well pointers for using the face into a few paras.The way the book is organised makes it easy to pin down the choices for your particular need and review the best options.My only beef is that while each typeface is illustrated with one ech of the caps, lowercase, numbers and some glyphs, i would have liked to see a block of text to illustrate how the typeface looks as body text. I couldn't imaging make a choice for body text without looking carefully at how it flows across the page over a few paragraphs. The book doesnt provide this which i think is a shame. If you are really going to move to a new typeface, and probably spend some money buying it, I think you need a decent demo first, more than an up-close view of the key letter forms at medium and very large sizes. .Not to say the face is not analyses in great detail up close - it is. Theres just no way you can get a good idea of the typeface at body text size in a typical paragraph setting.Still, I recommend this if you have serious choices to make about typeface selection, would like some great inspiration or just have a healthy interest in type. I expect you will get years of value.

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Ebook Free Bleeding Heart SquareBy Andrew Taylor

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Bleeding Heart SquareBy Andrew Taylor

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"A well-crafted mystery, told with style."
--Anne Perry

"It's easy to see why Andrew Taylor's historical mysteries have won so many accolades. The square itself emerges as a major player in this atmospheric, elegantly told mystery, in which you, the reader, are assigned the role of detective."
--Rhys Bowen, Agatha, Anthony, and Macavity award-winning author of the Molly Murphy and Royal Spyness mystery series

"Finely drawn period atmosphere, compellingly complex characters, breath-stopping suspense, then twists that will leave you reeling. Taylor is a riveting storyteller, and Bleeding Heart Square may be his best work yet. Absolutely bloody brilliant!!"
--Deborah Crombie, author of Where Memories Lie and Water Like a Stone

"A compelling and suspenseful evocation of London in that uneasy period before WWII. In Lydia Langstone, Andrew Taylor has created a protagonist of her time, an intelligent woman coming to terms with her growing sense of self. Intricately plotted and beautifully crafted."
--Margaret Maron, author of Death's Half Acre and Hard Row

It's 1934, and the decaying London cul-de-sac of Bleeding Heart Square is an unlikely place of refuge for aristocratic Lydia Langstone. But as she flees her abusive marriage, there is only one person she can turn to . . . Legend has it that the devil once danced in the square--but is there now a new and sinister presence lurking in its shadows

• Sales Rank: #1232489 in Books
• Published on: 2010-01-19
• Released on: 2010-01-19
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .0" w x 5.19" l,
• Binding: Paperback
• 464 pages

From Publishers Weekly
British author Taylor (An Unpardonable Crime) springs a number of well-timed and well-planned surprises in this briskly paced thriller set in November 1934. Fed up with the slights and slaps of her husband, well-to-do Lydia Langstone decides to room temporarily with her father, whom she hasn't seen since she was a toddler, in his seedy boarding house in London's Bleeding Heart Square. Lydia soon finds out that papa is in the pocket of landlord Joseph Serridge, a darkly charismatic man skilled at manipulating others. Serridge is being investigated by another tenant, journalist Rory Wentwood, for his involvement in the disappearance of Philippa Penhow, the house's former owner. As Lydia helps Rory in his delvings, she uncovers a tangled skein of scandal and deadly intrigues stretching back decades and involving many of those near and dear to her. A hasty finale is the only misstep in this otherwise satisfying period piece. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"A well crafted mystery, told with style."―Anne Perry

"A compelling and suspenseful evocation of London in that uneasy period before WWII. In Lydia Langstone, Andrew Taylor has created a protagonist of her time, an intelligent woman coming to terms with her growing sense of self. Intricately plotted and beautifully crafted."―Margaret Maron, author of Death's Half Acre and Hard Row

"Finely drawn period atmosphere, compellingly complex characters, breath-stopping suspense, then twists that will leave you reeling. Taylor is a riveting storyteller, and Bleeding Heart Square may be his best work yet. Absolutely bloody brilliant!!"―Deborah Crombie

"It's easy to see why Andrew Taylor's historical mysteries have won so many accolades. The square itself emerges as a major player in this atmospheric, elegantly told mystery, in which you, the reader, are assigned the role of detective."―Rhys Bowen, Agatha, Anthony and MacAvity award-winning author of the Molly Murphy and Royal Spyness mystery series

About the Author
Andrew Taylor is the award winning author of a number of novels. He and his wife live with their children in the Forest of Dean, England. He has been awarded the John Creasey Award from Crime Writers of America, the Scroll from Mystery Writers of America, the CWA Golden Dagger, and the CWA Ellis Peters Historical Dagger, as well.

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